When they first reached out, what was your understanding of why they wanted Mark Ronson to work on this? You said you took on the project because you were really excited about working with Greta and Noah Baumbach. ![]() (Ronson, who is a SAG member, spoke to us before the SAG-AFTRA strike began.) “We were fucking spoiled for the amount of people that actually even came to the table.” Ronson spoke to Vulture about pulling the soundtrack together, what to expect from his next solo project, and his thoughts on the upcoming Amy Winehouse biopic. “It was just crazy who kept being like, ‘Yeah, I’m down,’” says Ronson. Among the tracks: a dance-floor hit from Dua Lipa, a drill-pop linkup from Ice Spice and Nicki Minaj, a summery reggaeton jam from Karol G, a glossy K-pop anthem from Fifty Fifty and Kaliii, and a devastating ballad from Billie Eilish. Working with director Greta Gerwig, they wanted the soundtrack to cover as much of the pop-music landscape as possible. Ronson’s role quickly ballooned from initially producing two songs for the film to executive-producing the whole thing and scoring the movie, alongside his collaborator Andrew Wyatt. It’s the same approach he took on the Barbie soundtrack. (They’re the glue that held together his breakout production, Amy Winehouse’s Back to Black.) Every few years, he rounds up some of his favorite musicians to make his own solo album - everyone from soul revivalists like Bruno Mars to pop stars like Miley Cyrus to psych-rockers like Tame Impala’s Kevin Parker. When he became enamored with the retro-soul outfit the Dap-Kings, he turned their rhythm section into his go-to studio band. Since Mark Ronson began spinning hip-hop records on the New York City DJ circuit in the early ’90s, the driving force of his music career has simply been chasing what he loves.
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